Chloe Pare-Anastasiadou

selected projects:
voidsー空洞, 2026
cosmohapticsー宇宙の手触り, 2025
Ephemerides (object group), 2024
fantastic fields, 2024
xenolith, 2023
Silver streaming systems銀河系, 2022-2023
1000 A4 washi cosmos squares, 2022-2023
metagrid, 2022
Polyethylene, 2022
Planetary Systems, 2022

archive geometría polisentimental, 2024
1000 g regolith, 2021
Gravestone, 2021
Arche, 2021
1000 cranes V2, 2020
Squaring the circle, 2020
DRESS 2020, 2020
1000 versions of the cube, 2019
what is cosmos, 2019
KOLYVA, 2018
The Platonic Game of Life, 2017
Psyki-1, 2017
The Chessboard I, 2016
1000 cranes, 2015
haiku, 2014

Gravestone, 2021
In collaboration with Theodor Maier
Inkjet print on 150 g/m² paper, 75 g/m² tracing paper
42 x 21.6 x 0.1 cm (folded) / 42 x 21.6 x 21.6 cm (unfolded)
Edition of 50

Gravestone is an artists’ book revolving around cemeteries, minimalist sculptures and emptiness. A white paper cut-out of a typical Japanese tombstone is intended to be folded into a three-dimensional object from an initial flat state. The book refers to gravestones in the stores alongside the borders of Tokyo’s cemeteries. Those unassigned and blank cenotaphs, with simple and clear geometric outlines, resemble minimalist sculptures.

An index is printed on the last page of the book and is a montage of notes from conversations and readings. Devoid of page numbering, the index refers back to the bareness of the sculpture’s exterior. Visible only when the surface is flattened, once put together, the emptiness prevails.  Gravestone is light and transportable, an anti-monument that underlines constant transition. 

Installation views from Obaachan no kami, Studio GROSS, Tokyo, Japan