Chloe Pare-Anastasiadou

selected projects:
voidsー空洞, 2026
cosmohapticsー宇宙の手触り, 2025
Ephemerides (object group), 2024
fantastic fields, 2024
xenolith, 2023
Silver streaming systems銀河系, 2022-2023
1000 A4 washi cosmos squares, 2022-2023
metagrid, 2022
Polyethylene, 2022
Planetary Systems, 2022

archive geometría polisentimental, 2024
1000 g regolith, 2021
Gravestone, 2021
Arche, 2021
1000 cranes V2, 2020
Squaring the circle, 2020
DRESS 2020, 2020
1000 versions of the cube, 2019
what is cosmos, 2019
KOLYVA, 2018
The Platonic Game of Life, 2017
Psyki-1, 2017
The Chessboard I, 2016
1000 cranes, 2015
haiku, 2014

1000 cranes V2, 2020
ReChangTing GalleryTokyo, Japan
Rolling papers, rolling paper packs, stickers, 2 foil bags
Each foil bag 15 x 20 x 0,3 cm

1000 cranes is a series of works created in transitional periods. They are a way to cope with waiting, not having access to equipment, material, or stimuli. Originally based on the Japanese proverb that folding 1000 cranes make a wish come true, or bring happiness, the cranes are reinterpreted. How to wait? How to be productive? How to overcome artist’s block? 1000 cranes are artistic meditations, and a way to move to the next chapter. Each version is connected to a personal moment and investigates different adaptations. Whilst refraining from the monumentality of a heavy tradition, 1000 cranes introduce an intimate point of view on the legend. White, ephemeral, and flexible, they hint at rebirth, persistence, and infinity.  1000 cranes V2 were folded while anticipating my departure to Tokyo in 2020, and while invigilating an exhibition in Hydra.