Chloe Pare-Anastasiadou

projects:
cosmohapticsー宇宙の手触り, 2025
Ephemerides (object group), 2024
fantastic fields, 2024
xenolith, 2023
Silver streaming systems 銀河系, 2022-2023
のぼる [noboru], 2023-ongoing
1000 A4 washi cosmos squares, 2022-2023
metagrid, 2022
Polyethylene, 2022
Planetary Systems, 2022
1000 g regolith, 2021
Gravestone, 2021
Arche, 2021
1000 cranes V2, 2020
Squaring the circle, 2020
DRESS 2020, 2020
1000 versions of the cube, 2019
what is cosmos, 2019
KOLYVA, 2018
The Platonic Game of Life, 2017
Psyki-1, 2017
The Chessboard I, 2016
1000 cranes, 2015
haiku, 2014

Polyethylene, 2022
In Art & New Ecology, The University Art Museum, Tokyo University of the Arts, Japan
Laser-cut スタードリーム-FSオパール  209 g/m2
Dimensions variable

Recent research suggests that Pythia, the powerful female priestess of ancient Greece, may have been inhaling ethylene to recite her enigmatic spells. For centuries, people from far and wide came to the oracle of Delphi to receive the cryptic fate determinative prophecies. Oddly, the same chemical substance that indicated that human development was in coalition with nature, is two millennia later alarming the unsustainability of the anthropocentric system. One of the indicators that the era of the Anthropocene has started is the plastics found in the Earth’s fossils, including polyethylene, one of the most commonly produced plastics. 

Polyethylene is an adaptable installation that visualises the multiplicities of new ecology. The cut pattern is inspired by polyethylene’s chemical structure, channelling a reinterpretation of absoluteness. The installation is an infinite mesh, a simultaneity between all objects, that adapts, and grows as a time weaver. 


I am a visual artist and researcher inspired by ecosmological narratives in scientific and local mythologies. My work is grounded in astronomy, geology, and critical theory, and I make sculptural installations, art books, and workshops. 

Recently I have been reading about cultural celestial practices in Japan, writing on sensory walking, and working at the art therapy department of an elderly home in Tokyo.

statement/cv

news:

Digital Presentation at the 11th IAKE International Scientific Conference: Creative Communities—Participation and initiative in institutional collectives: Society, Education, Political Consultation, Heraklion, Crete

PhD Public Presentation, Agential Materialities within Post-Contemporary Art Workshops: Facilitating Selfhood, Otherness, Critical Theory, and Storytelling, Tokyo University of the Arts [14 February 2025]

Photo Report of cosmohapticsー宇宙の手触り at ART iT Asia [21 March 2025]

cosmohapticsー宇宙の手触り at The 5th Floor [14 February-23 March 2025]

Launch of noboru one: genealogies, NAMNAM Space, Tokyo [14–21 December 2024]

Exhibiting at the 15th Bienal de la Habana–Shared Horizons, Cuba [15 November 2024-28 February 2025]

Dans le sillage d’Aphrodite at the Hellenic American Union, Athens, Greece [29 October-11 November 2024]

Artist Residency with voyons voir+ in Marseille, France [20 September-21 October 2024]

Participation at the ‘Sonic Dialogues: Intersections of Art and Sound in Public Spaces’ Spring School at mdw–University of Music and Performing Arts Vienna [12-14 June 2025]

Paper Presentation: Youth Futurisms Through Paperscapes in the Fantastic Fields Art Workshop at The 17th Annual Conference of the Japan Association for Cultural Policy Research, Aoyama Gakuin University [17 March 2024]

Research Presentation at Monash x TUA, Tokyo University of the Arts [19 January 2024]

のぼる [noboru] released at Printed Matter [10 December 2023]

Participation at the Tokyo Art Book Fair, Museum of Contemporary Art Tokyo [23-26 November 2023]

Documentation Online Release: PARK-PLATZ パークプラツ, Goethe-Institut Korea [30 November 2023]

Participation in Art Futures Research, The University Art Museum [11-26 November 2023]

『のぼる』[noboru]  Zine Launch at Dig A Hole Zines [14 October 2023]

what are you for a creature at NAMNAM Space, Tokyo [14-15 October 2023]

Paper Presentation at The 4th Kyoto Conference on Arts, Media & Culture: Un-learning with Matter: Observing Orientations, Frictions and Entanglements in “Silver Streaming Systems 銀河系” [10-13 October 2023]

Intervention Artist at PARK-PLATZ, URBAN WALKS Goethe-Institut East Asia [23 September 2023, 11:00-18:00]

Paper Presentation: Interfering Diffractively with Matter: Anamneses of the “Metagrid” Art Workshop at The 4th Barcelona Conference on Arts, Media & Culture [19-23 September 2023]

Emerging Scholar Award at the Eighteenth International Conference on Interdisciplinary Social Sciences, Oxford Brookes University [19-21 July 2023]

Exhibiting at ROBERTO CUOGHI, Fridericianum, Kassel, Germany [3 December 2022-29 May 2023]

metttafestival, Goethe-Institut Tokyo in partnership with Tokyo College, Japan [1-2 October 2022]

 Exhibition with Performance Lab: Crystal Clear at Nakacho-no-Ie, Tokyo, Japan [27-28 August 2022]

Art & New Ecology at The University Art Museum, Tokyo, Japan [28 May-26 June 2022]

Project Online Launch: Planetary Systems, Eyes of Light, Greece [21 May 2022]

Stage Artwork for “The Man, my Dad” by Yoshiya Yoshimitsu, Graduation Works Exhibitions 2022, Tokyo Metropolitan Museum [29 January-1 February 2022]

Open Call for Planetary Systems: Workshop for Women with Cancer Experience, Eyes of Light, Greece [10 December 2021]

Obaachan no kami, Exhibition at Studio GROSS, Tokyo, Japan [28 August-1 September2021]

Gravestone at the Cincinnati Art Book Fair, Ohio, USA [21-22 August 2021]

ø mars, Online Exhibition by Bauhaus University Weimar and Tokyo University of the Arts [15 July 2021]

東京藝術大学佐藤時啓研究室展「Re」, Group Exhibition at ChangTing Gallery, Tokyo, Japan [19-30 March 2021]

New normal, Abnormal, 変わらないもの, Group Exhibition at VIVA, Tokyo, Japan [11-23 December 2020]

Squaring the circle at the ATOPOS cvc e-shop [22 May 2020]

Workshop DRESS 2020 at ATOPOS cvc, Athens, Greece [23 January 2020]

Occupy Atopos #Residency Studio #Chloé Paré [October 2019-March 2020]